They changed hands several times over the years, and almost thrown before landing in a warehouse in

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Among the warehouses and laboratories dell'Ames Research mig 31 Center of NASA, in Silicon Valley, you can see the facade of an old McDonald. You will not eat a hamburger there, however: its cash registers and the machines have been replaced by old tape drives and modern computer managed by a team of engineers / hackers who have dubbed the place "McMoon". These self-appointed mig 31 "techno-archeologists" had the mission to recover and digitize photos mig 31 taken forgotten in the 60s by a quintet of satellites lunar then destroyed themselves.
The Lunar Orbiter Image Recovery Project since 2007 has recovered about 2,000 photographs from 1500 tapes of analog data. These include the first high-resolution photographs ever taken from behind the lunar horizon, including the first photo of a Earthrise, the rise of the Earth seen from the Moon. Thanks to good technical knowledge and engineering DIY team LOIRP, this photo was displayed at a higher resolution than was ever previously possible.
"We are failing to see the images produced with a capacity [shooting] that existed but that could not be reproduced when it was created," says Keith Cowing, co-leader and founding member of LOIRP. "It's like having a DVD in 1966, you can not see. We had the Earth at a resolution of about one kilometer [pixel]. This is an image taken at a quarter of a million miles away in 1966. The Beatles were warming to play at Shea Stadium mig 31 when it was taken. mig 31 "
Between 1966 and '67, five orbiters have taken the film images from 70 mm to about 30 miles above the moon. The satellites were sent mainly to find potential mig 31 landing sites for manned lunar missions. Each satellite would have staked his camera twin lens Kodak on a goal, would have taken a picture, then developed the photograph. The high and low resolution mig 31 photographs were then acquired in strips mig 31 calls framelets using something like an old player fax.
The pictures were sent with modulated signals to one of three receiving stations in Australia, Spain or California, where the images - and the comments of the operators side NASA - were recorded directly to tape. After completing their missions, satellites, unceremoniously, were crashed into the moon rocks, paving the way to the Apollo project. Engineering brilliant and courageous was typical of NASA during its golden age, a time when it is even more closely linked to other government agencies that had interest in taking pictures from space.
The photos were stored on tapes with high fidelity remarkable, but in those days had to be copied mig 31 by projection screens on paper, sometimes so large in size that were rented warehouses and even ancient churches to hang. The results were quite wide, but clear enough to identify landing sites and potential dangers. After printing a low fidelity, the tapes were stored in boxes and forgotten.
They changed hands several times over the years, and almost thrown before landing in a warehouse in Moorpark, California. There have been several unsuccessful attempts to recover data from the tapes, mig 31 which were well preserved, but it was only in 2005 that a NASA engineer, Keith Cowing, space entrepreneur mig 31 Dennis Wingo and were able to put together the materials and the technical know-how.
When they learned through a Usenet group that former NASA employee Nancy Evans could have had both the tapes that the rare units Ampex FR-900 needed to read them, you put in action. They went to Los Angeles, where the units of the size of a refrigerator was stored in a shed with a courtyard surrounded by chickens. At the same time, they recovered the tapes to a storage unit in nearby Moorpark, and things gradually began to take shape. Funding mig 31 the prog